Choral/Orchestral:

• Queensferry for oboe and string orchestra - Scottish Chamber Orchestra & Borders Community Orchestra 2002

• Stand Alone for choir and ensemble- Heriott Watt University New Music Group 2000;

• Maxwell’s Demon for the Stirling Symphony Orchestra 1995; (amateur players)

• Rasa for mezzo-soprano, chorus & ensemble- Cunningham Choir 1993;

• Overture for the Scottish Chamber Orchestra 1992;

• Moral Tails for 2 pianos & strings St. Mary’s Music School commissioned by Edinburgh Contemporary Arts Trust & the RSSPCA 1991.

  Solo & Ensemble:

• Ne Sa Ma  for Quintessence wind quintet 2002

• Mr. Abdul for solo piano 2001 & Mr. Abdul - Music for 'Oceans' 2003; arrangement for large ensemble; soundtrack for digital animation by artist Jacques Marzan.

• All Wonder for prepared piano and Javanese Gamelan - Joanna MacGregor and the South Bank Gamelan (SPNM Bath Festival 2000);

• Leave the Balcony Open for harp & percussion - Gemini ensemble 2000;

• Source One (score with element of improvisation) for percussion, Ondes Martenot and violin with dancers- Bottled at Source with the Matthew Hawkins Company 1998;

• Five songs for the Women’s Playhouse Trust staged song-cycle Passages Endymion Ensemble, QEH London 1997;

• Trapeze for Two Atoms in 2 versions- amplified ensemble Icebreaker (1996) and mixed chamber ensemble Lontano (2000);

• SLOW Lorries Merging for six pianos - Piano Circus 1994;

• In the Looking-Glass River for flute and clarinet - RSNO 1994;

• On the Snow for mezzo-soprano and ensemble - Mary Weigold & the Composers’ Ensemble 1993;

• Banten for 4 female voices & percussion- Scottish Voices ensemble, McEwan Commission, Glasgow University 1993;

• White Lines for SCO string trio, 1991

• String Quartet  From Hoy for the Mistry Quartet 1989

  Music for Children:

• Compositions for Kentish Town Kids 33 miniatures for piano 2000; and many more short pieces af all standards 2000-4

• Mr Goggleye Visits the Exhibition for 20 young percussionists- Dulwich Prep. & Kingsdale schools 1997;

• Fanfare for symphony orchestra of young players of mixed levels-Scottish Schools Orchestra Trust 1994;

  Music-Theatre:

• He Hid, The Wild Life, Mice and Encore for  string septet ‘The Gogmagogs’ 1997-99;

• Thrum for solo trombonist - Soundpool commission for Barrie Webb 1994;

• The Morning for soprano, 2 pianos & percussion- RSAMD 1993;

• The People, Yes for 8 actors and mixed amplified ensemble- RSAMD 1991.

• Stopping Places for 13 flutes & mixed ensemble – RSAMD flute dept. 1991

  Theatre:  (as Composer / Conductor / Pianist):

• The Maid’s Tragedy (Beaumont & Fletcher) - Shakespeare’s Globe Theatre 1997;

• Bonjour Tristesse (Francoise Sagan) - Theatre Cryptic 1994;

• The Bloody Chamber (Angela Carter) - Tron Theatre Co. 1992;

• The Soul Machine – Test Dept. Productions 1991;

• The Goodperson of Sichuan (Bertholt Brecht) - RSAMD 1991;

• Human Cannon (Edward Bond) - Scottish Youth Theatre 1990.

  Dance:

• Ballet The Twelve Dancing Princesses with choreographer Matthew Hawkins, for large ensemble, first produced at the Isleworth Festival 2000; Full version completed 2003.

• Constant Rain for solo piano and 2 dancers- International Dance Course for Professional Choreographers and Composers 1994;

• Trilby score for piano and Scottish folk fiddler, choreographers Andy Howitt, Kim Brandstrupp and Matthew Hawkins, commissioned by Dance Productions 1992;

• House on the Hill at the Vim Vandekeybus & Thierry de Mey residency, Glasgow 1992  for two amplified violins (SCO players) and solo dancer Rosina Bonsu.

  Film:

• The Northleach Horror written and directed by David Cairns 2016

• Sleepwalking written and directed by Mike Kelly (piano, oboe and double bass score)- Edinburgh Festival 1997;

• Perhaps written and directed by Stephen Eastwood (London venues) (digital score) 1996.